Tunisia, Part 5 of 5

In our previous blog we explored the area South of Sousse like the amphitheater of El Jem, the ancient city of Mahdia, and Monastir, a popular wintering hole for cruisers. Today we continue North towards Tunis and we decided to drive via Marina Yasmine Hammamet some 10 km South of Hammamet city. 

Little did we know that Yasmine Hammamet (B in the map below) is a resort town, built solely for tourism, and we were in for some surprises.

The gate into "Medina Mediterranea" of Yasmine is a copy of Skifa El Kahla in Mahdia, see previous post.
Under construction in the late 1990's.
Once thru the gate you enter sterile and artificially created “Medina Mediterranea” in the style of an ancient medina. Surrounded by a seemingly mediaeval wall, the "medina" features a souk, as well as several elements from other Tunisian cities and Islamic monuments. The white - blue buildings resemble the Northern city of Sidi Bou Said.
La Tour de l'or, Medina Mediteranea.
Torre del Oro, Sevilla, Spain.

The Golden Tower of Medina Mediterranea is a modified replica of the Torre del Oro in Seville, that was erected by the Almohad Caliphate in early 13th century when the Almohads ruled the Magreb and Southern Spain. 

Beb Eddiwan, Medina Mediterranea.
Beb Eddiwan, Sfax Tunisia.

BebEddiwan is based on the seaside entrance gate of Sfax, Tunisia’s second largest city and founded by the Aghlabides in the 9th century.

The Souk, with elevated prices and uninteresting souvenirs.
We had a coffee in Café Oum Kalthoum. It was 3 times the price as in Tunis, 5 times the price in Touyane and 10 times the price in a roadside eatery. The service left a lot to be desired.

One of the attractions in the resort is the “Palace of the 1001 nights”, a salute to the imagination, fantasy and mystery of the Magreb, which had the Europeans dream for long.

In the 19th century the mystique of the Magreb attracted many European painters looking for new inspiration. Their paintings included especially harem scenes, presenting languid and lustful women, masculine hunting scenes, or descriptions of typical desert landscapes, oasis or medinas, and rural scenes.

In the “Palace” you will find life size displays of paintings from those “Masters of the Magreb”.

A Moorish Interior by Rudolf Ernst.
The display.

The faded photo of Rudolf Ernst’s painting “A Moorish Interior”. Why not a decent, clear photo if you want it to be attractive to tourists? The life size replica is childishly simple. Walt Disney does a better job.

The display of the painting “Après le bain”, by Paul Louis Bouchard is more palatable.

“Le diseur de bonne aventure”, an aquarelle by Ettore Simonetti. The photo was hardly recognisable. The display was OK. In all there are 35 displays (and we are showing the better one’s!).

Frits was invited for coffee by a mysterious lovely lady and received a royal treatment. The receptionist of the palace was a resourceful photographer and he made a few lovely shots.

Yasmin Hammamet is clearly built for tourists. The beach is wide and beautiful with shallow water extending far beyond the shore line. There are 32 hotels (out of 44 planned), a casino, a theme park, numerous restaurants and more. We also noticed a lot of security. We do understand why the marina (top center) is not as popular as Monastir. Although it is nicely set-up, the distance to general shopping like supermarkets is too far, AND the environment is rather artificial. Sure, there are plenty of people who will appreciate this resort for a leisure vacation, but Yasmine is not for us.
We hopped in the car and drove further North to Hammamet city (C).
Entering the suburbs of Hammamet, negotiating the traffic chaos towards the coast. Love it!

In the 1st century, there was a settlement here known as Pupput that became a Roman colony in the 2nd century. In the 9th century the Umayyads built the Kasbah (The Borj) and the medina started to develop below its walls. In the 13th century, walls around the medina were built.  In the 16th century the city was caught up in the power struggle between the Ottomans and the Spanish. In World War II, it became one of the headquarters of the Nazi general Erwin Rommel.

The outer walls of the medina with the Kasbah to the right.
Access to the Kasbah.
The courtyard of the Kasbah which is basically a simple square with a tower on each corner.
View of the city center from a café on the SW tower of the Borj. Only tea or sisha to be had, no alcohol. Bummer. It would have been a perfect spot for a sundowner.
Colourful "china" made in Tunisia, in one of the many stalls under the medina walls.
Bab Blad; entrance gate into the medina.
The maze of alleyways and colourful shops inside the medina. Always a joy to visit.
The medina of Hammamet is the most authentic medina still existing in Tunisia. It had a lot of atmosphere and the shop owners were not pushy at all.
The three Mermaids of Hammamet.
We enjoyed a lovely dinner and evening in restaurant Yuman with a view of the Kasbah and the beach.

To our surprise, the waiter spoke fluent Dutch and we had some interesting conversation with him. He is in Tunisia during the colder period of the year during tourist season to help his family out with the restaurant. In the summer months he is in Puerto Banus, Spain, during the tourist season there, helping his friends out with their restaurant. His actual residence is in Amsterdam and he loved the alcohol and pot (wiet or poke salad) being feely available and of course the social benefits he received over there. 

Good example of a guy navigating live maximising joy with the least amount of effort. We received a few drinks from the house and had an excellent evening.

In Tunisia (and in Morocco) there are stray cats everywhere and the people look after them very well. After being fed the scraps from our table they moved on to the next.
The following morning, it was Wed Oct 18, 2023, we witnessed a pro-Palestinian protest from the window of our Hotel Khella in Hammamet. Although the crowd was not hostile at all, we thought it better to wait for them to pass before leaving the hotel and drive further North to Tunis (D), Tunisia's capital.

The latest round of violence between Israel and Palestine began after the Palestinian Hamas launched an attack on Israel on October 7, 2023. Israel responded with an intense counteroffensive that included an order to carry out a “complete siege” of Gaza. 

It turned out that co-ordinated protest broke out in several Tunisian cities, also in Tunis, a bit further East from our Hotel Carlton. Several thousand protesters rallied outside the French embassy, condemning Western support for Israel which they blamed for a deadly strike on a Gaza hospital.

Protesters sitting on the stairs of the Municipal Theater adjacent to the embassy on Place de l’Indépendance.

The Cathedral of St Vincent de Paul and St Olivia of Palermo, a landmark building in Tunis opposite the French Embassy was cordoned off by security, and we were not allowed to enter.
The wide Avenue Habib Bourguiba, where the rally took place, is named after Tunisia's first president after independence from France. With its lofty trees and the many restaurants and cafe's it has a Parisien feel over it.
The clock tower in the heart of the city and an easy landmark to navigate the surroundings since it was close to our hotel.
The Bardo in its heydays around 1860.

We are going to visit the Bardo National Museum, arguably the second most important museum in Africa after the Egyptian museum in Cairo. The museum is housed in a former Palace. The construction of the first buildings started somewhere around 1230 by the Muslims that were expelled from Andalusia after the reconquista. Several dynasties and rulers added to – altered and fortified the structures, which gradually became a Kasbah. Ahmed Bey came to the throne in 1837 and he yearned for something grander, something like Versailles.

Mohammedia, fifty kilometres further south, (see earlier posts) provided a copy on a smaller scale so he abandoned the Bardo and established himself in his own version of Versailles.

The palace was transformed into a museum in 1888. The museum underwent a vast reorganisation and restoration in 2012 and again 10 years later. It had just been reopened when we visited.

This is what the entrance to the museum looks like today.

You enter the museum via “the small palace”, pictured above (click thumbnails). This suite of rooms was built by Hussein II Bey (1824 – 1835).

It shows the dimensions and the decor of a typical 19th century mansion of the Tunis medina. The main room uses the conventional “T” shape patten of the lounges of these mansions, with its central courtyard.

The main reason to visit Tunis was to catch a glimpse of Ancient Carthage. Founded by the Phoenicians in the ninth century BC, Carthage reached its height in the fourth century BC as the centre of the Carthaginian Empire, a major power led by the Punic people who dominated the ancient western and central Mediterranean Sea. Following the Punic Wars, Carthage was destroyed by the Romans in 149 BC, who rebuilt the city 100 years later.

Click on the image below for some real ancient Carthaginian artefacts.

Not surprisingly the museum has a large Roman collection. Again, mainly mosaics. We have seen so many already so we show only a few.

Ulysses (Odysseus), tied to the mast, resisting the songs of the Sirens.
Triumph of Neptune and the Four Seasons.
A basin, with the head of God Ocean surrounded by sea monsters carrying Nereids and Xenia, gifts of hospitality.
A different but nevertheless eery display of tools used for circumcision. To the left the knife with silver sheath. To the right a Silver circumcision pinch. You do not need a lively fantasie to find out how it works. It is definitely more elegant than the use of a knife and a piece of wood, as in some Asian countries.
Recreation of a Roman coin-making workshop. For coin production, gold nuggets or "recycled" material, e.g. gold statuettes or vessels were used. The gold was melted in a crucible over a fireplace. Blank coins were made using the lost-wax technique. The small blanks were preformed out of wax. Particular attention had to be paid to the weight of the gold, which was checked on highly accurate scales. The coiner used the following tools: an upper die, a firmly embedded lower die and a hammer. Die engravers used a picture of the reigning emperor as a model for the coin portraits, and an image representation of important events on the opposite side of the coin.
A drunk Hercules, peeing, with a bludgeon in his lift hand. He was clearly NOT circumcised.
The "Carthage" room of the palace. The marble statues are NOT from the Punic era but from the Roman era. The marble block in the center is the Altar of the Gens Augusta.
After a coffee and a snack in the museum café in one of the lovely courtyards we moved on to visit what (little) is left of ancient Carthage. (E) on the map.

Byrsa Hill was the citadel of Punic Carthage. In the 5th century BCE, the Carthaginians built workshops here, which later gave way to houses.

After the destruction of Carthage in 149 BC, the hill remained unoccupied. 100 Years later, during the reign of Roman Emperor Augustus the summit of the hill was levelled off for the construction of Roman Carthage. It destroyed the Punic remains, which included a temple of Eshmun, the Punic God of healing.

Today, a small excavated area containing the foundations of Punic houses can be seen here.

During the Roman Era, Byrsa Hill was the starting-point of the two main roads of Roman Carthage: the decumanus, running from east to west, and the cardo, from north to south (pink line in photo above). 

(A) on overview photo. The Hannibal district (200 -146 B.C.). This housing district was built in the early second century B.C., on a plot previously used by metal workshops. Besides the houses, the “Hannibal” neighbourhood included shops opening onto the street: mills, figurines shops, jewellery shops etc.

(B) on overview photo. Punic necropolis to the left. Center a Roman temple with columns only to its anterior facade facing right to the Cardo Maximus (main North - South road), as viewed from the Roman Library platform.

(C) on overview photo. In the encircled location a tomb with the remains of a man called the “Young Man of Byrsa” was discovered in 1994. Punic inscriptions called him Arish “the beloved one.” DNA tests revealed that Ariche’s genetic make-up closely matches that of a modern day individual from Portugal. This indicates that not only merchandise was transported to the melting pot of Carthage via Phoenician and Punic trade networks.

To the left are the remains of the palace of Gaiseric, king of the Vandals who played a key role in the decline of the Western Roman Empire during the 5th century.

In the background the Cathedral of Saint Louis. 

Reconstruction of Arif.
D on overview photo. The Carthage National Museum. To our dismay it was closed, and still is at the time of writing, one year later. A huge disappointment for this was one of the expected highlights of our visit to Tunisia. If you are sailing the MED then this is one of the must visit sites.
Today, the hill is crowned by the Cathedral of Saint Louis, built in 1890 atop the ruins of an old temple dedicated to Eshmun, the Punic god of healing, and dedicated to King Louis IX, who died here in 1270 during the siege of Tunis. The monument no longer has a religious function and now occasional music concerts or art exhibitions are being held.
Interior of the Cathedral.

From Byrsa Hill you can see the old Punic harbour in the distance with its two interconnected basins. The commercial harbor was in the shape of a rectangle measuring 456 meters by 356 meters, linked to the sea by a channel 20 meters wide.

The circular naval harbour, that once harboured the mightiest fleet in the Mediterranean, was surrounded by a high wall and had a diameter of 325 meters. A channel giving it direct access to the sea was constructed only during the Third Punic War. The naval harbour alone had moorings for some 220 vessels, both along the landward side and around the inner island.

The circular military harbour where the ships were docked, dry-docked and maintained. The admirals office was in the tower at the center.
Frits taking photo's of one of the dry-docks on the inner island.

The ruins of ancient civilisation we saw in Greece and in Turkiye are in better shape than what we saw here. Many of the ruined ancient cities in Greece and Turkiye, destroyed by war or major earthquakes, were abandoned. So there is material available for the restoration of monuments. Byrsa Hill however has always been inhabited by subsequent civilisations that “recycled” construction materials. Many structures in modern day Tunis have used ancient materials as well, so there is not much left. Despite this, it was very satisfying to have been on the grounds of the first major empire in the Mediterranean.

The following morning we strolled through the medina  before driving back to the boat in Bizerte. You can click the thumbnails.

Our last evening in Bizerte was shared with our friends Rami & Kawthar and kids on board TWO B. Excuses for the grainy low light photo.

On Oct 29 we left Tunisia for Mallorca in what would be, as expected, a challenging sail. Our plan is still to make it to the Canary Island before the end of the years so we can cross the Atlantic, but will we make it on time?

Thank you for reading our travel stories. 

Liza and Frits.